What’s on Your iPod?

Maybe it’s music making month that has me exploring more new music out there. Or maybe it’s just the fact that I’ve been rather introspective lately, looking at various sound design ideas, and needing to take a break from tutorial writing (don’t worry, I’ll be back with more tutorials soon). But right now I’m looking more at what other people are doing out there. Instead of writing a tutorial this week, I decided to present a few things that are inspiring me. My tastes lately have gone more ambient and less dubstep, drum n bass, and whatever other new “step” is the new vogue.

Maybe it’s music making month that has me exploring more new music out there. Or maybe it’s just the fact that I’ve been rather introspective lately, looking at various sound design ideas, and needing to take a break from tutorial writing (don’t worry, I’ll be back with more tutorials soon). But right now I’m looking more at what other people are doing out there. Instead of writing a tutorial this week, I decided to present a few things that are inspiring me. My tastes lately have gone more ambient and less dubstep, drum n bass, and whatever other new “step” is the new vogue.

So here are some of the things that are playing on rotation in my iPod, and some new material that has me going “wow, now that’s cool.” I’d be interested to hear what you all think of these artists and tracks. So feel free to comment and tell me what your opinions are. And let me know what you have on rotation in your iPod. Any ambient, drone, or glitch suggestions would also be welcome.

Seefeel: Seefeel (2011: Warp Records)

Seefeel - Seefeel

First and foremost is a CD that I recently purchased which at first listen didn’t catch me. The second time I listened to the whole CD front to back and it instantly connected for me. Now it’s the one CD I play from start to finish continually. It’s the number one CD on my iPod, and if you like your ambient served to you in a crunchy, distorted, and feedbacked guitar-based way, then this will certainly hit the mark. It’s Seefeel’s self-titled CD from this year, and I would definitely recommend it for some blissed-out mystical journey with a big kick.

What I really love about it is the lush layers, distortion, feedback, and the power that each track brings. After a 15-year hiatus, and a line-up change, they seem to still have what it takes to inspire me. And it’s nice to hear their sound get more gritty, and I think their choice to bring guitars back into the mix is spot on.

A note about the CD cover: This music feels exactly like the picture IMHO. Of course that’s why they’re called Seefeel.

Tim Hecker: Ravedeath, 1972 (2011: Kranky)

Tim Hecker - Ravedeath, 1972

Perhaps it’s the fact that Tim is from my hometown (Montreal, Canada) that has me curious about his music. Or perhaps it’s the CD cover image of the first “Piano Drop” at MIT in my current location in Boston that has me intrigued. No, wait. Maybe it’s the fact that he’s done most of the recording sessions for this CD on a church pipe organ in Iceland. Well, now there’s just so many reasons to listen to this, that I couldn’t pass it up.

Interestingly, the music comes across very sparse, but very dense and all-encompassing. It’s broody and almost apocalyptic in nature. There’s elements of Eno here. There’s the spaciousness of emptiness. There’s the beautiful emmersive experience that just cries out “Ambient” in my head. This is what ambient can possibly be in the right hands. I can’t wait to get this CD and give it a full and thorough listen from start to finish. It’s the kind of music that forces you to lie in bed, close your eyes and just lose yourself in it.

Esselfortium: Seventeen More Times (2011: Esselfortium)

Esselfortium - Seventeen More Times

The moment I listened to this artist, I was hooked. The sampling is awesome and the sound is extraordinary. As one of the soundcloud reviewers said on his channel, he deserves more attention. And it’s true. I have Ed from EditEd4TV fame to thank for introducing me to this artist’s work. So have a listen. I don’t think you’ll be disappointed. That is, if you like ambient breakbeat. The one thing that struck me about Esselfortium is the connection it placed in my mind with older progressive bands such as Tangerine Dream. The feel is definitely there. But the sound is just as clean and melodies are more traditional.

Introjection by esselfortium

It’s worth a listen if you have a keen interest in quality musicianship, and still enjoy the founders of progressive ambient from the 70’s — Kind of like prog rock takes an ambient U-Turn, then came out to a complete stop in 2011. Nice work here.

School of Seven Bells (SVIIB): Disconnect from Desire (2010: Vagrant Records)

School of Seven Bells - Disconnect from Desire

I know this is more main stream, but I can’t seem to shake this off my iPod for anything. The vocals from twin sisters Alejandra and Claudia Deheza and the guitar and production work of Benjamin Curtis are really well put together. Cohesively shoegazish and very ethereal. The band seem to take off where My Bloody Valentine left off. Though this is their second CD, they still hold everything together well. Though, I still tend to like the first CD Alpinisms better, as I think it’s more raw. But there’s nothing wrong with this CD as well, and both get a lot of air time when I’m on the road.

I think I also have an affinity to them because they maintain their own blog. Something a lot of musicians don’t do, but should. Note to all you bedroom musicians out there: start a blog, get a website, and get your name out there!

The Orb: Metallic Spheres (2010: Columbia)

The Orb - Metallic Spheres

What list would be complete without something from The Orb. At least my list that is. Well, I can’t knock the Orb. They were pioneers of Ambient Dub, and broke out a whole generation of chilled out rave youths. So this purchase for me was a no-brainer. And the fact that they teamed up with David Gilmour (finally doing something Pink-Floyd-esque) is a bit of a treat.

I have to make a confession: I love long drawn out ambient tracks that progress and move over time. So to get a single track in two 20-minute parts was really nice. A clean break from the everyday 3-5 minute soundscape that everyone is used to. The tracks have a chance to breathe and develop. And that’s a very integral part to ambient as a genre.

So does this CD hold up. Yes and no. It’s a great CD overall, but it’s not what I would consider the best from either artist: The Orb nor Gilmour. For the most part, Gilmour voices a few words and does his guitar thing. And the Orb seem a bit tried, tested, and tired. It’s not that the CD is bad. It’s had a lot of listens from me already. It’s just that with the wealth of everything else out there, and with their track record for breaking boundaries, I guess I expected more from them. It’s still a very solid CD and the music production is really wonderful. But it also falls a little flat for me in places. I’m still a die-hard fan, but next to all their other ground-breaking work over the past 25+ years, it kinda made me go “eh. ok. so what?”

Still worth a listen though.

Mum: Yesterday was Dramatic — Today is OK (2000: TMT Entertainment)

Mum - Yesterday was Dramatic - Today is OK

Still one of the best musical glitchy debut CDs of the decade, and gets a lot of airplay from me. I have most of their CDs, and I have to say this one is the best of the bunch. My favorite track is “Asleep on a Train” which just sounds like perfect music to fit the title. This group is from Iceland, and I would say this is one of the best “mood CDs” which fits my personality perfectly. It’s quirky, upbeat and downbeat from track to track and it weaves in and out of a really nice journey which makes the listener focus very deeply on what’s being played. Perhaps because I like to create music myself, I tend to listen harder than others. But I think this could have appeal for everyone who is willing to listen to some of the outer edges of our tiny little pop culture.

Most of their newer CDs since this one go down a very folksy path, and that’s not a bad thing. But it’s not necessarily MY thing either. This CD is much more electronic and glitch, and holds it’s head up high above a lot of others that were produced 10 years later.

Jonsi: Go (2010: XL Recording)

Jonsi - Go

This is the guy from Sigur Ros (I must have a weird affinity to Iceland this year). His first solo project was taken from lots of recordings that didn’t quite fit the Sigur Ros style. The CD is an interesting musical journey that is somewhat akin to Bronski Beat’s Jimmy Sommerville vocals, and modern day acoustic ambient. The cross-breading is superb. The best song on the CD by far is “Grow Till Tall,” the second to last track.

His vocals are haunting high pitch yearnings for what? I have no clue. But it all just works. And even cooler is that I heard a rumor that all the music on this CD is from acoustic instruments. No digital instruments. Which is refreshing in this day and age, and for this genre especially. Have a listen for yourself.


So that’s just some of the stuff loitering around my iPod or waiting to be purchased. Any suggestions based on these tastes? What do you think of these artists? I’d love to get your feedback. As always, never forget to stop and take a minute to listen to the music of others. It can be its own reward, and it will help tune you into sounds and ideas for music-making of your own.

Thor Bells, Pads & Oddities

Here are a few various Thor patches I’ve come up with in the past week. There’s 6 in total, with Bells, Leads, and Pad sounds. Some are eerie, some industrial, and the Bell sound is like a kid with a toy. Just some various sounds you’re free to use.

Download the zip file here: 6-thor-patches

Description: These are a few various Thor patches I’ve come up with in the past week. I was going to provide a few Thor patches to Robb’s excellent site: Reason Patch-A-Day (and yes, that’s a different Robb — you can tell because of the second “b”). However, I came up with more than I expected and so here are a few “extras” if you will.

There’s six patches in this zip:

  1. (Lead) Tightrope Bounce
  2. (Lead) Trance Trauma
  3. Throaty and Bouncy
  4. Footsteps Behind you in the Night
  5. Marauders
  6. Modular Bells

They are basic Thor patches. Feel free to use them in your own projects, and if you do, please let me know so I can post a link to your work here. Also let me know what you think. Comments and discussion are always welcome! And keep checking in here, because there’s much more in store and coming your way soon.

All my best!

What Makes Ambient?

According to Wikipedia, Ambient Music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an “atmospheric”, “visual” or “unobtrusive” quality. But what makes Ambient?

Ambient Music is defined by Wikepedia as:

Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an “atmospheric”, “visual” or “unobtrusive” quality.

From Deepintense:

Atmospheric – Environmental – Mood Inducing – Music. This style of music is characteristically undefinable because it incorporates so many different styles, sounds, and moods. However it can be recognized as being atmospheric in nature. The sounds work together to create a space where sound becomes the encompassing theme, mood and character of the immediate environment. According to many sources: the term ambient music was first used by the ambient music legend Brian Eno.

I would also highly recommend reading the Wikepedia article and perusing the Deepintense site, as they go through the History of Ambient music from the early 20th Century to the present, and provide several examples along the way, as well as further reading.

Aside from that, there are a few characteristics with Ambient music that I have found:

  1. Heavy usage of Pad sounds and progressive modulation.
  2. Ambient attempts to create a mood, rather than create something purely pumping or hard or even rhythmic.
  3. Ambient encourages experimenting with sound, and in that, it is experimental.
  4. Ambient focusses the listener away from the music, instead of inward toward the music. The ideas behind ambient are to create a background, or create something that can be passively perceived. The focus is not squarely centered, but rather, it is diffuse and best listened to at the edges or periphery. Taking this thought into the visual. An image of a car crash will focus the viewer straight at the crash scene, while an image of a vast impressionist landscape will focus the viewer toward the edges on the visual periphery, without any focused location.
  5. Ambient music provides a texture, and is more concerned with melody than beat. Whereas Pop music is the opposite. It is more concerned with the beat of the music than the melody. Though both still do play a part in each genre.
  6. Ambient music is also not the same as muzak or elevator music. While elevator music attempts to rehash traditional songs into a mindless subtle background, I think Ambient tends to contain more exploration and depth. Elevator music tranquilizes you. Ambient music surrounds you and takes you in for a soft and subtle journey that can be admired and thought about. It’s intelligent and takes some thought. While muzak takes no thought at all.

And one other note about genres. If you’re interested in looking closer at various Electronic genres, there’s a great site with lots of sound examples which attempts to categorize all that is considered “Electronic.” Visit Ishkur’s Guide to Electronic Music if you’re interested.

What are your thoughts on Ambient Music?