In a previous tutorial I spoke about how you can create frequency-based FX and divide your FX, sending different delays or phasers or any combination of FX to different frequencies in your mix. This time we’re going to send those same FX to different locations in your mix: Front, Back, Left and Right. This way, we’ll create different FX for 4 different corners of your mix.
Here’s the lowdown: I own an iPod Touch, and so I have a scaled down version of the iPad. Do I produce music on it? Nope. Do I want to? Maybe. Why don’t I? Because it’s finicky, toyish and still doesn’t have the feel of working in a real DAW or control of working in a real DAW. And worst of all, it doesn’t have any Propellerhead software on it.
This article will explore Monophonic versus Stereo and Monophonic versus Polyphonic. Two very different concepts, but both very important concepts. This is also a good opportunity to discuss the Effects devices and go over the suggested audio routing options for each.
Kevin Parks is a former architectural designer, artist, and boatbuilder with a life-long love of music. Learn how he uses Panning in Record to punch up his mixes, giving them enough sonic space to have a fighting chance.
Reason and Record together constitute one of the best all-in-one music creation and sequencing packages. I’ve tried out most all of the major DAWs out there, and I keep coming back to Reason and Record time and again. So here is my wishlist of items I’d like to see in future versions of the software; in no particular order.
Learn how to transfer all settings from one channel in the Reason Mixer to one channel in the Record Main Mixer. With this technique you can properly tranfer any song with any mixer settings from Reason to Record.
My task a few weeks ago: To turn Propellerhead Record software into a CD mastering tool. Learn how to master 12 audio tracks in Record. A Record Template file is included.
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