This patch came out of a request to have a Tremolo effect in Reason. There’s many ways you can create one. But this time I wanted to expand upon that a little bit and create a triple effect using a single Thor device. So here is a Tremolo / Pan / Frequency Modulation effect patch that you can use.
Here are a few ways you can create some trippy and out-there sounds using the synths in Reason. I’ve had a lot of requests for these kinds of sound creations, so I thought I would throw a few ideas out there. These sounds provide you with three different patch ideas for three different Sci-Fi type sounds. Enjoy!
Like the title says, I’m going to provide you with a 45-minute video / blog tutorial on how to create an entire Kong 16-Pad design, using nothing more than a Rex file and some imagination. This is the A to Z of Kong drum design. And lots of tips along the way. Don’t miss it!
This refill is a collection of some very deep Modular Audio Processing Systems, along with some very powerful Layered Synths and Drum Kits. Over 600 patches, loops and samples. The 30 MB Refill works with Reason 4 and above, as well as Reason+Record 1.0 and above. The cost is $49.00 USD.
A review of Robb Neumann’s “Reason Patch A Day” Refill, with approximately 500 Patches for Propellerhead Reason. This is one refill you don’t want to miss. Basses, Pads, Effects, Combinators, Synths. It’s all in there. Take a listen for yourself.
DopeTank Free 2010 Refill: A collection of 106 Thors and 15 Combinators made by Heikki Roots (aka Pirnikas or Deep’n'Dark). He was gracious enough to offer this out to the Reason community for free.
I was playing around with a bunch of different Thor parameters and came up with a sound I really liked. So I worked on it some more and it turned into this little puppy. It’s not really a true organ, but it sounds somewhat similar. A bright twangy atonal organ.
These are two Pad sounds based on an FM tutorial I read on the Propellerhead site. However, this sound is completely different from the sound I heard there. I just love the space of the sounds. One is clean, the other is distorted with a moderate dose of noise.
This is one of my signature Lead/Bass sounds. I used it for my song “A View from the Edge” found on my Phi Sequence Mount Royal & Fairmount page.
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