Sep 202010
 

Here are a few ways you can create some trippy and out-there sounds using the synths in Reason. I’ve had a lot of requests for these kinds of sound creations, so I thought I would throw a few ideas out there.

Sure. This time around I’ll provide the patches found in this project here: weird-sci-fi-patches The file contains 2 Thor patches with 2 variations on the Sci-Fi sound, a Malstrom with an Alien voice, and a Subtractor ominous spacey patch. Enjoy!

First off, here’s an idea which uses the Noise Oscillator and a Multi-Oscillator to create some really weird sounds in Thor. The key features here are the use of the Bipulse Shaper and the Self-Oscillating filters. In this example, they are probably even a little more important than the actual Oscillators that you’re using. So here’s the video:

 

The second kind of other-worldly sound is brought to you by the Malstrom. In this case, I tried to create an Alien from outer space voice using the Electronik voice and the Jews Harp grains inside the Malstrom. As you’ll see, the Malstrom is exceptional for these kinds of crazy effects. You can have a field day tweaking knobs on here. The main focus should be on utilizing the Pitch knob, as well as all the other knobs to affect the Oscillators. In this way, you can mangle your audio beyond any human recognition. Makes for exactly what we need to build our Alien Voice. Here’s the video:

Now of course we shouldn’t forget the Subtractor in our quest to create some freaky sound effects. So let’s try giving it a whirl. This time I’m going to go for a more Ominous space sound, almost a Pad-like sound. This seems like it would be great as an intro for a huge and ominous scene and reminds me of when the Borg attacked the Enterprise in the feature-length movie: “Star Trek: First Contact.” Yes, I know. Major geek right? Well, anyway, this uses some FM for the deep bassy sound, and a low Octave Oscillator. From there, you just need to adjust the filter. One other interesting thing you could do is sweep the filter frequency from Closed to open and back again. The key of course is to experiment, experiment, and experiment some more!

So there you have it. A few different Sci-Fi sounds for you to jump into. There’s billions more sounds just waiting to be created. If these help as a starting off point for you, then great. Glad I could help. And if you have any comments, suggestions, tips or tricks, please let me know. It’s from your requests that I end up making these tutorials in the first place. So keep the requests coming. And Happy Reasoning!

  4 Responses to “28 – Weird Sci-Fi Synth Sounds”

  1. [...] 22 сентября 2010 · Комментариев нет  Reason 101 has a great post up on creating weird sci-fi sounds in Reason. Rob uses Thor, Malstrom and the [...]

  2. Yes its reason4 i have in mind. If you’re molsty concerned with patching it think works the same way. So It is crazy! The device routing might seem a bore task as well. But the tools which are offered on reason4 is what makes me stick to it. Also it’s a matter of what you are accustomed to or, like you say, are most comfortable with. Thanks for kind words! I may want to test drive logic one day if i get a mac.

  3. @Theaterstadl,
    The only software I use is Reason and Recycle (and Maschine too once in a while). For hardware, I have two controllers, a Guitar, a mic, and a field recorder. I prefer being limited in the software/hardware I use. It means I can focus fully on only a few key areas. But I tend to have a very different workflow than most other musicians as well. I try my best to approach any new software/instruments/sound design/music projects from the point of view that I know NOTHING. That way, it opens you up to explore new ways of doing things that you would not have thought of otherwise. But everyone will have their own workflow. That’s what makes it exciting. Do your own thing and find your own voice. Cheers!

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